February 9, 2012

HOME MOVIE INVENTION Reduces FILM COSTS (Feb, 1930)

HOME MOVIE INVENTION Reduces FILM COSTS

THROUGH an invention which enables motion pictures to be taken laterally as well as horizontally upon the same film, it is declared the cost of motion pictures for the home has been reduced 75 per cent. The reducing of film costs was worked out by means of a camera which takes pictures crosswise as well as lengthwise of the film permitting the operator to take four pictures where formerly only one picture was taken. The new camera is expected to be on the market this year.

February 6, 2012

The Drive-In is Thrivin’ (Aug, 1951)

The Drive-In is Thrivin’

America’s newest major industry was regarded as a newfangled novelty a decade or so ago. Now it’s become strictly big business.

By I. B. Neer

WITHOUT leaving the wheel of your car you can spend the most amazing vacation of your life this summer. For the drive-in is really thrivin’!

Without sliding from behind the steering wheel, you’ll be able, to deposit money in a bank, do all your shopping in supermarkets, buy a bouquet of flowers, mail a letter, go to church, pay your gas and electric bills, have prescriptions filled, get your laundry and dry cleaning done, take out insurance, check into a hotel, visit a zoo, have your shoes repaired and buy a bottle of Scotch for the long cool nights.
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January 5, 2012

Three-Dimensional Sound for the Home (Jan, 1942)

Three-Dimensional Sound for the Home
Three-dimensional sound, the effect created for Walt Disney’s film Fantasia, now can be duplicated in the home with a new multi-speaker radio on the market. A portion of the audio output of the chassis in the new set is fed back into the lighting circuit; extra speakers then may be plugged in anywhere on the same meter circuit, to create the Fantasia effect if the speaker is in the same room, or to carry the program to the other rooms in the house without the need for extra wiring.

December 28, 2011

HOLLYWOOD’S MISSING LINK (Dec, 1952)

HOLLYWOOD’S MISSING LINK
NEED a blind date for your mother-in-law? Steve Calvert, Hollywood’s gorilla man, is your answer because he’s really handsome when he’s all dressed up in his $1,500 hirsute suit. Actually he makes a nice living using it in horror and jungle movies. And it’s a work of art. Each hair, human and yak, is sewed and tied individually. Gorilla curves are achieved by rubber padding. Hands, feet and face are molded rubber. Wires, levers and rods enable him to make his brows beetle, his lips curl, snarl and talk, and can even make his nostrils dilate when he’s real mad.

December 15, 2011

The Outlaw (Mar, 1955)

Filed under: Advertisements,Movies — @ 8:57 am
Source: True ( More articles from this issue )
Issue: Mar, 1955
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The Outlaw

Here’s why this thrilling new picture has been kept off the screen for two years!

1944-HOWARD HUGHES,WORLD FAMOUS FLYER AND MOTION PICTURE PRODUCER, COMPLETES HIS PICTURE THE OUTLAW.

HOWARD HUGHES DISCOVERED JEAN HARLOW, PAUL MUNI, GEORGE RAFT, AND PAT O’BRIEN. NOW, IN THE OUTLAW, HE PRESENTS HIS SENSATIONAL NEW STAR DISCOVERY- JANE RUSSELL Read the rest of this entry »

November 3, 2011

TITLE WRITER BOON TO AMATEUR MOVIE FANS (May, 1933)

Filed under: Movies — @ 7:33 am
Source: Popular Science ( More articles from this issue )
Issue: May, 1933
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TITLE WRITER BOON TO AMATEUR MOVIE FANS

Amateur movie-making enthusiasts may prepare their own titles, including animated ones, with the aid of a new title writer. This device, an illuminated stand with an easel at front and a place for the camera at the rear, works in three positions. When set at an angle, as shown above, it permits a hand to be photographed drawing a title. A vertical setting films movable letters for an animated title.

October 31, 2011

How Mechanics Make Your Movies (Mar, 1932)

Filed under: Movies — @ 7:05 am
Source: Modern Mechanix ( More articles from this issue )
Issue: Mar, 1932
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How Mechanics Make Your Movies

by H.H. Dunn

All of the money made in the movies does not go to the big stars and directors. Queer jobs in the studios support a small army of expert technicians.

A LARGE and shiny car pulled onto the lot, and an active young man ran from it into the main building of the RKO Pathe Studio at Culver City.

“‘Big Shot’ director?” I asked.

“Best shot in Hollywood, also director,” answered Bill Rice. “Gets paid every time he misses a star, and he has missed hundreds of them. Read the rest of this entry »

October 14, 2011

The 1951 MODEL BLONDE (Sep, 1951)

Filed under: Movies — @ 12:01 am
Source: Colliers ( More articles from this issue )
Issue: Sep, 1951
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The 1951 MODEL BLONDE

By ROBERT CAHN

She’s filmdom’s Marilyn Monroe: Miss Cheesecake to GIs, whistle-bait in the studios—and an actress on her way up.

IT WAS the kind of family party that Hollywood studios periodically throw for their outlying salesmen and picture-exchange executives in order to whoop up enthusiasm for the company’s forthcoming product. The Cafe de Paris, more simply known as the 20th Century-Fox commissary, was crowded with a cheery assemblage of studio bigwigs and freshly manicured salesmen. For five days, in an atmosphere of backslapping camaraderie, the guests had watched the celluloid unroll, the same films which they were expected to describe as colossal and mean it. Read the rest of this entry »

October 12, 2011

Mechanical Tricks make Fowl Actors Perform (Mar, 1932)

Mechanical Tricks make Fowl Actors Perform

TWELVE chickens, sitting austerely in a miniature jury box, nodded silently in agreement when asked whether the accused rooster was guilty.

An ostrich opened its mouth as though carrying on a conversation with a white trader.

A myna bird shouted, “Hello, how are you?” to a fisherman.

A rooster dashed into a scene, stopped and crowed. A crow with split tongue talked with apparent intelligence for the sound camera. Read the rest of this entry »

September 6, 2011

Unique Film Trebles Width of Movies (May, 1930)

Filed under: Movies — @ 7:58 am
Source: Modern Mechanix ( More articles from this issue )
Issue: May, 1930
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Unique Film Trebles Width of Movies

MOVIES three times as wide as usual are made possible by a new lens invention. The principle of the lens designed to widen the photographing capacity of the average movie film three times is much the same as the distorting mirrors at the circus. Set into a copper frame which fits into the front of the camera are finely ground cylinders of glass, one concave, the other convex. Read the rest of this entry »

August 17, 2011

Crashing a Zeppelin for Fun (May, 1931)

Crashing a Zeppelin for Fun

by DICK COLE

who gives you a look behind the scenes of the most spectacular air thriller ever made.

Jealously guarded secrets of the amazing Zeppelin crash in “Hell’s Angels” now revealed to Dick Cole by Howard Hughes, the producer of this spectacular movie.

“Wasn’t it marvelous! How in the world did they ever take it?”

Such exclamations and questions are heard on every side as a teeming crowd pours forth from a theater after seeing “Hell’s Angels” -—the outstanding aerial war picture of the day. And it is little wonder! For several hours the spectators have been soaring 10,000 feet above the earth in a huge, wartime Zeppelin, or they have been sky-riding in a giant bombing plane. Read the rest of this entry »

August 10, 2011

DELUXE QUALITY MOVIE VIEWER only $34.95 (Apr, 1980)

Filed under: Movies — @ 12:49 am
Source: Popular Science ( More articles from this issue )
Issue: Apr, 1980
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DELUXE QUALITY MOVIE VIEWER only $34.95

8MM & SUPER8

COLOR or BLACK & WHITE

• Handles 200′ reels of 8MM and Super 8

• Fully portable-Battery operated

• Adjustable speed-Fast to Stop Action for single frame viewing and editing

• Precision lens-lifelike viewing
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