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Mumbai New York Scranton

My sister Tamara has a new book out and you should all buy a copy.  Seriously, go buy one. I’ll wait…

If you’re thinking “didn’t his sister just come out with a movie a while back?“, that was my other sister Melinda. They’re twins and you should buy or watch her movie too. Yes, they make my brothers and I look lazy and unambitious, but that’s alright because we actually are lazy and unambitious.

On  a related note, I’m in NYC all week for work so I won’t have a chance to post any new stuff until next week. In the mean time, perhaps you’d like to read posts about Robots? Everybody loves robots.

tamara_book

Description from Amazon:

An extraordinarily moving memoir from an iconoclastic new talent—an artist, cook, and illustrator whose adventures at home and abroad reveal the importance of living life with your eyes wide open.

Best known for her witty illustrations, and as a cook beside her mischievous father in her family’s legendary Manhattan restaurant, in Mumbai New York Scranton, Tamara Shopsin offers a brilliantly inventive, spare, and elegant chronicle of a year in her life characterized by impermanence. In a refreshingly original voice alternating between tender and brazen, Shopsin recounts a trip to the Far East with her sidekick husband and the harrowing adventure that unfolds when she comes home. Entire worlds, deep relationships, and indelible experiences are portrayed in Shopsin’s deceptively simple and sparse language and drawings.

Blending humor, love, suspense—and featuring photographs by Jason Fulford—Mumbai New York Scranton inspires a kaleidoscope of emotions. Shopsin’s surprising and affecting tale will keep you on the edge of your seat.

Reviews:

“I’ve been trying to eat my way through Shopsin’s menu and realize it’s going to be a lifetime endeavor. Now Tamara, Kenny Shopsin’s daughter, has written a sprawling travel memoir that ranges all over the planet and which I finished the same day I started reading. Slinging simple declarative sentences that hide sounding depths, and speaking in a quiet voice that you realize too late is the hum of a jet engine, you’ll race to Mumbai and back before you have time to process the ride. But oh man will the memory linger.” (Patton Oswalt author of Zombie, Spaceship, Wasteland )

“Shopsin tells us this story in a terse, true manner. A beautifully illustrated memoir full of love, with no bullsh*t.” (Maira Kalman, author of And the Pursuit of Happiness and The Principles of Uncertainty )

“Sometimes a friend gives you a piece of writing and you are terrified to read it because what if it turns out your friend is a terrible writer? This was a particular concern with Tamara Shopsin, for not only is she a friend, but a brilliant designer, illustrator, cartoonist, and short order cook whose work in all these areas have long delighted and inspired me. So I am very relieved to report that MUMBAI NEW YORK SCRANTON is as virtuosic as her pancakes, which is to say: perfect, meaningful, and astonishing.” (John Hodgman, author of That is All )

“Tamara Shopsin writes like she illustrates—wry and succinct, with judiciously placed punch. She scatters Hansel and Gretel-style crumbs of fantastic, compelling memoir in woods of travelogue. Mumbai, New York, Scranton is muscular, efficient, understated, and surprising.” (Gabrielle Hamilton author of Blood, Bones and Butter )

“This (true) story is as dramatic as they come, complete with twin sister, eccentric father and the love of a good man. But because Shopsin is so fundamentally uninterested in being flashy, she gets our attention by not trying to get our attention. Mumbai New York Scranton gathers momentum secretly, accruing emotion entirely through food, art, furniture and the achingly mundane details that any survivor will recognize. Could not. Put. It down.” (Miranda July author of No One Belongs Here More Than You and It Chooses You )

“A charming, rewarding,and unusual narrative.” (Publishers Weekly )

Purchase on Amazon

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OVER THOUSAND COLORS LISTED (Mar, 1924)

OVER THOUSAND COLORS LISTED

Colors of every tone and shade, to the number of 1,400, are displayed in an index recently issued. There are no duplicates in the list, which was compiled from the productions of dye makers all over the world. Many scores seem exactly alike to the eye, but tests show that they are not. America sent samples from twenty-nine factories, while England and Germany were each represented by thirty-two.

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It’s in the Bottle (Oct, 1937)

It’s in the Bottle

WHEN one sees large wooden objects in a bottle, one often wonders how the articles were placed into the glass containers. Often, those viewing the objects express the opinion that the “glass was blown around the object.” Such, however, is not the case.

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Unless we act, 1 in 8 will die of Cancer (May, 1947)

Well, apparently we acted, because in the U.S. cancer is now responsible for 1 in 4 deaths. Globally it is 1 in 8. (yes, I know that this primarily has a lot to do with people living to an older age and not dying of other things)

Unless we act, 1 in 8 will die of Cancer

GIVE TO CONQUER CANCER

AMERICAN CANCER SOCIETY

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A Machine with a “Memory” (Oct, 1937)

At first I thought this was a kind of Williams Tube, an early type of computer memory that used a grid of illuminated dots on a cathode ray tube to store data. However, according to the summary of this paper, it is basically what it looks like: a system that uses a camera to take a picture of an oscilloscope. Which made me wonder why they would call it a “memory” when it’s just a camera.

The reason I think, is that it uses the short term persistence of the oscilloscope image as a sort of buffer. When the event you’re interested in happens it will trigger the camera, giving you an image of the activity from before the event.

This is actually pretty handy and reminds me of the modern high-speed digital video cameras used on nature shows. They have to capture very unpredictable phenomenon that happen incredibly fast. By the time the photographer noticed, the event they care about has already happened. The trick to the cameras is that they are continually recording footage, keeping it for a short time in a buffer and then overwriting it. When an event happens that the photographer wants to capture, he presses the button and the camera just stops throwing away the old footage. This means the actual recording starts a few seconds before the button was pressed. This video from David Attenborough’s Life in the Undergrowth explains it perfectly. (I remembered the clip from watching the “making of” videos when I saw it a few years ago and wanted to link to it with this post. Apparently my google-fu is weak because I just spent the last hour searching before I found the right combination of keywords.)

By the way, if you haven’t seen Life in the Undergrowth, you should get a copy. It is mind-blowing and possibly my favorite nature documentary.

A Machine with a “Memory”

THIS machine has the faculty for picking up the results of electrical disturbances and registering them in its “mind.” A short time later they are illustrated on an oscilloscope, where photographs are made. The entire operation is automatic.

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Focal Point Art (Oct, 1937)

A hemisphere is just geometry, but a semisphere, that’s art.

Focal Point Art

THOSE who have not developed that esthetic sense of art so necessary to appreciate a “fur-lined cup and saucer” which the surrealists exhibited (and which was illustrated in a previous issue of this publication) will acknowledge that Robert H. Blickenderf has developed something equally striking— yet, when properly viewed, possessing all those elements of art which have been expounded by the great masters.

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Shilling to Earn All World’s Gold (Feb, 1932)

This reminded me of (what I thought) was an episode of Duck Tales where Scrooge McDuck decides to make a ton

Shilling to Earn All World’s Gold

WHEN Dr. Leopold Bauer, noted Vienna architect, recently deposited a shilling in the Bank of England, to be compounded quarterly and paid to his descendants in 1500 years, we wonder if he realized that he was attempting to corner the world’s wealth.

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Fire Box Foils False Alarms (Oct, 1937)

Obviously any prankster would be utterly dissuaded by an ear-shattering siren.

Fire Box Foils False Alarms

A NEW type of fire alarm box, equipped with an ear-shattering siren that sets up a wail audible for blocks (much to the discomfiture of anyone using it unlawfully) made its debut recently at the Fire Chiefs’ annual convention in Washington.

The photo shows Sergeant Clarence Quick pointing to the siren.

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A Curious Industry (Sep, 1936)

I like that in the same paragraph they write “it is so completely impossible to grasp the basis for the weird ideas and beliefs” they also write “Religion is practiced as it was, originally, thousands and thousands of years ago.”. It implies that Hindu beliefs are weird, yet the second sentence would bring howls of dirision from Young Earth Creationists, who’s ideas are of course perfectly normal.

A Curious Industry

Buffalo chips once served as fuel in this country. Cow dung has many uses — besides that of a fertilizer — in the Far East.

SOME of the most peculiar customs in the world originate in India, where beliefs and religions have flourished from ancient times, without any change from contact with the civilization of the rest of the world. To the average traveller, India presents a glamorous and fascinating study, inasmuch as it is so completely impossible to grasp the basis for the weird ideas and beliefs which are firmly fastened in the Oriental mind.

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CAREER GIRL (Feb, 1951)

CAREER GIRL

WE’RE continually running picture of lovely young ladies and writing; that their ambition is to get into the movies or television—which it usually is. But somehow. we never do hear whether they succeed in their ambitions or not. They drop into a silent limbo of girls who* want to go places but apparently never do.

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