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Tag "movie making"
Strange PERILS of Making MOVIES Beneath the Sea (Sep, 1933)

Strange PERILS of Making MOVIES Beneath the Sea

Hollywood’s most intrepid cameraman relates startling adventures he has encountered making undersea movies which chill your blood.

by HOMER SCOTT – Pioneer Underwater Cameraman

IN 14 years I probably have gazed into the cold eyes of more curious fish and looked on the bodies of more actors and actresses beneath the sea than any other man. From the shores of Southern California to the rocky coast of the Socorro islands, far south in the Pacific, and even off the shores of New Zealand I have descended many times in one of my half-bells, my legs dangling puppet-like in the cold water, to photograph dramas that sometimes thrilled me more than were the audiences that viewed the results on the screen. ] When the editors of Modern Mechanix and Inventions asked me to write of the thrills and tell you how these scenes are filmed, I said to myself, “Gosh, there’s nothing very interesting about undersea picture-taking.”

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FILMING TABLE TOP EARTHQUAKES (Dec, 1935)

FILMING TABLE TOP EARTHQUAKES

by EARL THEISEN – Honorary Curator of Motion Pictures, Los Angeles Museum.

When the director calls for floods, train wrecks, and volcanoes, the miniature men create the scenes. Read how they produce these effects.

BEHIND the studio walls tucked off in a corner may be found the miniature department. It is hidden away where persons will not interfere with its work or find out its secrets.

To the miniature man everything is possible from the fabrication of airplane crashes, train wrecks, explosions, floods, to the bringing to life on the screen of prehistoric monsters. In this department of the studios is filmed those things that cannot be photographed or are too dangerous to be photographed in full size. The miniature men are specialists in reproducing literally on a table top practically anything that occurs in real life.

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FILMING A MOVIE WAR (Dec, 1937)

FILMING A MOVIE WAR

BURSTING bombs failed to stop scores of German soldiers charging across the scarred battlefield under cover of night. The ground was rent by machine-gun bullets. Soldiers dropped hopelessly in barbwire entanglements.

It was the World War all over again for many American Legion men and ex-German soldiers acting as extras during the filming of The Road Back. Every exploding shell and spattering of machine gun fire brought back memories of war’s deadliness. But this was a movie war—nobody was being killed! Hollywood’s explosive experts, through years of experience, have developed tricks that make acting in a movie war safer than crossing a busy highway.

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