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Tag "Rube Goldberg"
Meet Rube Goldberg (Feb, 1959)

Meet Rube Goldberg

His name is the common term for the goofy gizmo but this world-famous artist-inventor is a rube in name only.

By Wilson Curry

ONE of the world’s most famous inventors has just completed his 2,001st gadget. In honor of the occasion he offers his latest creation free to his fellow Americans. Anyone who wants to mass-produce it may do so, royalty-free.

It’s a method for getting a dull comedian offstage. Here’s how it works: 1. A barber shop quartet sings a sad song. 2. It’s so sad a little man standing nearby cries big tears into a flower pot.

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Nutty Inventions Paid Me A Million – by Rube Goldberg (Dec, 1930)

Nutty Inventions Paid Me A Million

by RUBE GOLDBERG
Famous Cartoonist as told to Alfred Albelli

Four hundred inventions a year, all of them of exceedingly “nutty” brand, qualify Rube Goldberg, the famous cartoonist, as one of the country’s most prolific and best paid inventors. The fact that his inventions never get beyond the pen and ink stage doesn’t prevent him from “cleaning up” from them.

“How did you get that way? How do you do it? How do you get away with it? How do you get them to fall for your stuff? How are you, anyway?”

There you have the barrage of questions which are popped at me every day of my life, including days when the game is called on account of rain. It’s a good thing a humorous cartoonist has got a sense of humor. Or I might borrow from that jolly English expression and say, “It’s fortunate my humor is not bad.”

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How Comic CARTOONS Make Fortunes (Nov, 1933)

How Comic CARTOONS Make Fortunes

The “funnies” you read every day bring $8,000,000 a year to a small group of 200 cartoonists. How they rose to the top and how you can enter their select circle is told here by leading comic artists.

THAT laugh you had today over your favorite funny strip is worth money— $200 to $1,000 a day to the cartoonist that made you chuckle.

His pen and ink characters are part of a great $8,000,000 industry that is far from overcrowded and that is practically depression proof.

Of the 200 successful cartoonists today the majority were not “born artists.” In many cases they were not artists at all, but just fellows with a knack for sketching who thought of a good idea or a funny character that “made a hit” with an editor and eventually with newspaper readers.

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